The plug-in contains four separate modulation processors and arranges them around a central, circular, X-Y controller – the Mix Modulator – which controls each processor’s relative balance. The Feedback and Size controls adjust the amount and delay length of the Circular Feedback, which feeds the output from one effect into the input of the other. The Mix Modulator allows you to vary the Rate and Speed that Orbitron cycles through the effects. Each has Depth, Rate, and Width knobs, plus two sliders based on the mode like Warm, Analog, Saturate, or Talk, and a solo for auditioning one effect at a time. ModulatorsĮach of the four modulators can load any of the twelve bundled effects: Cosmic Chorus, Vintage Chorus, Super Chorus, Tape Flanger, Future Flanger, Phat Phaser, Infinite Combs, Liquid Filter, Kinetic Resonator, Chaos Vortex, Rotary Speaker, and Space Time. The preset loader has A/B, undo/redo, copy, panic, and hundreds of presets in arranged into over a dozen folders. The three Randomize buttons are an awesome addition to a plugin with as many buttons and knobs as this, and include small setting changes, mix and mode changes, and full random. The lock button in between freezes these two controls when you load different presets, which is a very useful feature I wish was available in more plugins. Let’s dig in and find out what makes Orbitron tick: Wet, Gains, Randomize, and PresetsĮasily my favorite UI feature in Orbitron is the lock control for the Wet/Dry and In/Out for easily varying both simultaneously in opposite directions.
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